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Top 10 most inspiring quotes by Alfred Marshall

• The price of everything rises and falls from time to time and place to place, and with every such change, the purchasing power of money changes as far as that thing goes.
• Consumption may be regarded as negative production.
• In every age, poets and social reformers have tried to stimulate the people of their own time to a nobler life by enchanting stories of the virtues of the heroes of old.
• And very often, the influence exerted on a person’s character by the amount of his income is hardly less, if it is less, than that exerted by the way in which it is earned.
• Individual and national rights to wealth rest on the basis of civil and international law, or at least of custom that has the force of law.
• Slavery was regarded by Aristotle as an ordinance of nature, and so probably was it by the slaves themselves in olden times.
• Material goods consist of useful material things and of all rights to hold, use, derive benefits from material things, or receive them at a future time.
• But if inventions have increased man’s power over nature very much, then the real value of money is better measured for some purposes in labour than in commodities.
• The hope that poverty and ignorance may gradually be extinguished, derives indeed much support from the steady progress of the working classes during the nineteenth century.
• Again, most of the chief distinctions marked by economic terms are differences not of kind but of degree.

Alfred Marshall (1842–1924) was a pioneering British economist whose work laid the foundation for modern microeconomic theory. Born in London, Marshall studied at Cambridge University, where he later became a prominent academic figure. His most influential work, “Principles of Economics,” published in 1890, significantly shaped economic thought.

Marshall’s contributions to economics were diverse, but he is best known for introducing the concept of price elasticity of demand and supply, emphasizing the role of both demand and supply in determining market equilibrium. He also developed the idea of the “Marshallian cross,” a graphical representation of supply and demand interactions.

As a teacher, Marshall had a profound impact on the Cambridge School of Economics, where he mentored notable economists such as John Maynard Keynes. His emphasis on empirical analysis and the practical application of economic principles greatly influenced the development of neoclassical economics.

Alfred Marshall’s legacy endures through his lasting impact on economic theory and his role in shaping the way economists approach the study of markets and consumer behavior. His work laid the groundwork for the neoclassical synthesis that became dominant in the early 20th century and continues to influence economic thought today.

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Top 10 most inspiring quotes by Alfred Korzybski

• Thus, we see that one of the obvious origins of human disagreement lies in the use of noises for words.
• If a psychiatric and scientific inquiry were to be made upon our rulers, mankind would be appalled at the disclosures.
• Two important characteristics of maps should be noticed. A map is not the territory it represents, but, if correct, it has a similar structure to the territory, which accounts for its usefulness.
• There are two ways to slide easily through life; to believe everything or doubt everything. Both ways save us from thinking.
• The objective level is not words, and cannot be reached by words alone. We must point our finger and be silent, or we will never reach this level.
• The present non-aristotelian system is based on fundamental negative premises; namely, the complete denial of ‘identity.’
• I am the same kind of moron as the rest of you, it’s the method that does the work, for me as well as for you.
• If words are not things, or maps are not the actual territory, then, obviously, the only possible link between the objective world and the linguistic world is found in structure, and structure alone.
• Any proposition containing the word “is” creates a linguistic structural confusion which will eventually give birth to serious fallacies.
• I want to make clear only that words are not the things spoken about, and that there is no such thing as an object in absolute isolation.

Alfred Korzybski (1879–1950) was a Polish-American semanticist and philosopher, renowned for developing the field of general semantics. Born in Warsaw, Poland, he migrated to the United States and later became a naturalized citizen. Korzybski’s seminal work, “Science and Sanity” (1933), laid the foundation for the theory and practice of general semantics—a discipline focused on understanding the relationships between language, thought, and behavior.

Korzybski emphasized the significance of language in shaping human perceptions and behavior, advocating for a more precise and conscious use of language to enhance communication and reduce misunderstandings. He introduced the famous dictum, “The map is not the territory,” stressing the distinction between reality and the way we represent it through language.

Throughout his career, Korzybski lectured widely, influencing diverse fields such as psychology, education, and communication. His ideas gained traction in various intellectual circles and inspired the establishment of the Institute of General Semantics in 1938. Despite facing challenges and criticism, Alfred Korzybski’s work left a lasting impact on linguistic philosophy, cognitive science, and communication theory.

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Top 10 most inspiring quotes by Alfred Jarry

• It is one of the great joys of home ownership to fire a pistol in one’s own bedroom.
• It is conventional to call ”monster” any blending of dissonant elements. I call ”monster” every original inexhaustible beauty.
• It is because the public are a mass inert, obtuse, and passive that they need to be shaken up from time to time so that we can tell from their bear-like grunts where they are and also where they stand. They are pretty harmless, in spite of their numbers, because they are fighting against intelligence.
• Talking about things that are understandable only weighs down the mind.
• The theater, bringing impersonal masks to life, is only for those who are virile enough to create new life: either as a conflict of passions subtler than those we already know, or as a complete new character.
• It is conventional to call ‘monster’ any blending of dissonant elements. I call ‘monster’ every original inexhaustible beauty.
• Anti-alcoholics are unfortunates in the grip of water, that terrible poison, so corrosive that out of all substances it has been chosen for washing and scouring, and a drop of water added to a clear liquid like Absinthe, muddles it.
• We shall not have succeeded in demolishing everything unless we demolish the ruins as well. But the only way I can see of doing that is to use them to put up a lot of fine, well-designed buildings.
• Applause that comes thundering with such force you might think the audience merely suffers the music as an excuse for its ovations.
• To keep up even a worthwhile tradition means vitiating the idea behind it which must necessarily be in a constant state of evolution: it is mad to try to express new feelings in a mummified form.

Alfred Jarry (1873–1907) was a French writer and avant-garde playwright best known for his play “Ubu Roi,” a groundbreaking work that defied theatrical conventions. Born in Laval, France, Jarry displayed an early aptitude for literature and art. He studied at the Lycée Henri-IV in Paris and was influenced by symbolist and decadent movements.

Jarry’s most significant contribution to literature came with the premiere of “Ubu Roi” in 1896, a play that satirized conventional values and bourgeois society. The absurd and surreal nature of the play, along with its disregard for traditional norms, marked the advent of the Theatre of the Absurd.

Jarry’s unconventional lifestyle matched his artistic pursuits; he was known for his eccentric behavior, heavy drinking, and drug use. His works had a profound impact on the Dada and Surrealist movements that followed. Tragically, Jarry’s life was cut short when he died of tuberculosis at the age of 34.

Despite his relatively brief career, Alfred Jarry’s influence endured, and he is remembered as a pioneering figure in the development of modern drama and the avant-garde movements of the early 20th century.

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Top 10 most inspiring quotes by Alfred Hitchcock

• Give them pleasure. The same pleasure they have when they wake up from a nightmare.
• The length of a film should be directly related to the endurance of the human bladder.
• I can’t read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
• Seeing a murder on television… can help work off one’s antagonisms. And if you haven’t any antagonisms, the commercials will give you some.
• The paperback is very interesting but I find it will never replace the hardcover book — it makes a very poor doorstop.
• Blondes make the best victims. They’re like virgin snow that shows up the bloody footprints.
• I’m a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
• There is nothing so good as a burial at sea. It is simple, tidy, and not very incriminating.
• In feature films the director is God; in documentary films God is the director.
• There is nothing to winning, really. That is, if you happen to be blessed with a keen eye, an agile mind, and no scruples whatsoever.

Alfred Hitchcock, born on August 13, 1899, in Leytonstone, London, was a pioneering English film director and producer who became a master of suspense in the thriller genre. Hitchcock’s career spanned over six decades, and he directed more than 50 feature films, leaving an indelible mark on the history of cinema.

Known as the “Master of Suspense,” Hitchcock crafted films that blended psychological tension, intricate plots, and dark humor. Some of his most iconic works include “Psycho” (1960), “Vertigo” (1958), “North by Northwest” (1959), and “The Birds” (1963). His distinctive storytelling style and innovative techniques, such as the use of suspenseful music and inventive camera angles, became hallmarks of his work.

Hitchcock achieved both critical and commercial success, earning numerous awards and accolades throughout his career, including five Academy Award nominations for Best Director. His influence on the thriller and suspense genres persists, and his films continue to be studied and celebrated for their enduring impact on cinematic storytelling. Hitchcock passed away on April 29, 1980, but his legacy lives on as one of the greatest directors in the history of cinema.

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Top 10 most inspiring quotes by Alfred de Vigny

• I have a private theory, Sir, that there are no heroes and no monsters in this world. Only children should be allowed to use these words.
• The loveliest Muse in the world does not feed her owner; these girls make fine mistresses but terrible wives.
• The study of social progress is today not less needed in literature than is the analysis of the human heart.
• Of what use is the memory of facts, if not to serve as an example of good or of evil?
• Of what use were the arts if they were only the reproduction and the imitation of life?
• We live in an age of universal investigation, and of exploration of the sources of all movements.
• From this, without doubt, sprang the fable. Man created it thus, because it was not given him to see more than himself and nature, which surrounds him; but he created it true with a truth all its own.
• We shall find in our troubled hearts, where discord reigns, two needs which seem at variance, but which merge, as I think, in a common source – the love of the true, and the love of the fabulous.
• Just as we descend into our consciences to judge of actions which our minds can not weigh, can we not also search in ourselves for the feeling which gives birth to forms of thought, always vague and cloudy?
• I think, then, that man, after having satisfied his first longing for facts, wanted something fuller – some grouping, some adaptation to his capacity and experience, of the links of this vast chain of events which his sight could not take in.

Alfred de Vigny (1797–1863) was a French Romantic poet, novelist, and playwright. Born in Loches, France, he belonged to a noble family but experienced financial difficulties due to the French Revolution’s impact on his family’s fortunes. Vigny embarked on a military career in his youth, serving in the Royal Guard and later in the Algerian campaigns.

Despite his military background, Vigny is best known for his literary contributions. His poetry collection, “Poèmes antiques et modernes” (1826), established him as a prominent figure in the Romantic movement. His poetic works often explored themes of melancholy, solitude, and existential reflection. Additionally, Vigny penned novels like “Cinq-Mars” (1826), a historical novel set in the 17th century.

In his later years, Vigny withdrew from public life, disillusioned by political and social developments. He focused on philosophical and reflective writings, including “Stello” (1832), a poetic dialogue. Alfred de Vigny’s literary legacy endures, marking him as a key figure in French Romanticism, and his introspective works continue to be studied and appreciated for their exploration of the human condition.

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