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The top 10 most inspiring quotes by Mike Rowe

• We are lending money we don’t have to kids who can’t pay it back to train them for jobs that no longer exist. That’s nuts.
• Passion is too important to be without, but too fickle to be guided by. Which is why I’m more inclined to say, ‘Don’t Follow Your Passion, But Always Bring it With You.’
• The skills gap is a reflection of what we value. To close the gap, we need to change the way the country feels about work.
• The flaw in our character is our insistence on separating blue-collar jobs from white-collar jobs, and encouraging one form of education over another.
• Happiness comes from knowing what you truly value, and behaving in a way that’s consistent with those beliefs.
• Some jobs pay better, some jobs smell better, and some jobs have no business being treated like careers. But work is never the enemy, regardless of the wage. Because somewhere between the job and the paycheck, there’s still a thing called opportunity, and that’s what people need to pursue.
• Happiness does not come from a job. It comes from knowing what you truly value, and behaving in a way that’s consistent with those beliefs. Many people today resent the suggestion that they’re in charge of the way they feel.Those people are mistaken. That was a big lesson and I learned it several hundred times before it stuck. What you do, who you’re with, and how you feel about the world around you, is completely up to you.
• I think a trillion dollars of student loans and a massive skills gap are precisely what happens to a society that actively promotes one form of education as the best course for the most people. I think the stigmas and stereotypes that keep so many people from pursuing a truly useful skill, begin with the mistaken belief that a four-year degree is somehow superior to all other forms of learning.
• Opportunity usually shows up in overalls and looking like work.
• What you do, who you’re with, and how you feel about the world around you are completely up to you.

Mike Rowe is an American television host, narrator, and media personality, best known for his work on the Discovery Channel series “Dirty Jobs.” Born on March 18, 1962, in Baltimore, Maryland, Rowe began his career in television, hosting various programs for networks like the Discovery Channel, including “Evening Magazine” and “Somebody’s Gotta Do It.”

“Dirty Jobs,” which aired from 2005 to 2012, featured Rowe traveling across the United States and profiling individuals performing various messy, difficult, and often overlooked jobs. The show earned him widespread recognition and acclaim for its portrayal of blue-collar work.

Outside of “Dirty Jobs,” Rowe has lent his voice to numerous documentaries and commercials, becoming known for his distinctive and engaging narration style. He has also appeared on other television shows, such as “Deadliest Catch” and “How the Universe Works.”

Beyond his television career, Rowe is an advocate for skilled labor and vocational education, founding the MikeroweWORKS Foundation, which provides scholarships and resources to students pursuing careers in the trades. He is also a prolific writer, speaker, and advocate for causes related to the workforce and American manufacturing.

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The top 10 most inspiring quotes by Gore Verbinski

• I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there’s a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
• I think when you get people who are really talented and you take them out of their comfort zone, you get a lot more out of them.
• I find it ironic that fear is eliminating the possibility to tell stories that depict our ability to overcome fear.
• Everyone always wants to find the answer, to feel that things are resolved. But in dreams, maybe there isn’t an answer so much.
• There’s so much work in making movies, it’s so easy to tear one down. When I watch a movie, even one that I don’t particularly enjoy, I’m constantly impressed at the work that’s in it. I respect the craftsmen and women. I tolerate a lot of movies that maybe other people don’t, just because I know what goes into them.
• All the traditional westerns are about choice and the individual. When progress comes it’s much more difficult to define the individual in that world.
• There is a sense that animated movies are suddenly a genre. I just don’t believe they are; it’s a technique to tell a story.
• I think audiences ultimately want something new. I think the business model for a franchise is such that it’s very low risk because you have data and studios love data.
• It’s a mistake for Hollywood to impose themselves on the gaming space. Not only is it arrogant, but it hasn’t really worked.
• Animated films are so precisely engineered – right down to forming lines of dialogue with words pulled from several different takes – how do you translate that spontaneity from the live-action to the digital realm?

Gore Verbinski is a visionary filmmaker known for his unique storytelling and visually stunning productions. Born on March 16, 1964, in Oak Ridge, Tennessee, Verbinski began his career directing music videos before transitioning to feature films. He gained widespread recognition for his work on the critically acclaimed horror film “The Ring” (2002), which became a box office success and solidified his reputation as a skilled director.

Verbinski reached new heights of success with his involvement in the “Pirates of the Caribbean” film franchise, directing the first three installments: “The Curse of the Black Pearl” (2003), “Dead Man’s Chest” (2006), and “At World’s End” (2007). These films were praised for their adventurous spirit, engaging storytelling, and groundbreaking visual effects.

In addition to his work in the realm of blockbuster filmmaking, Verbinski has also explored other genres, including the animated feature “Rango” (2011), which won the Academy Award for Best Animated Feature. Known for his meticulous attention to detail and innovative approach to storytelling, Verbinski continues to captivate audiences with his cinematic creations, cementing his legacy as one of Hollywood’s most versatile and imaginative directors.

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The top 10 most inspiring quotes by Bernardo Bertolucci

• I left the ending ambiguous, because that is the way life is.
• This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
• I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
• Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
• I remember being young in the 1960s. We had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
• Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
• Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
• The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
• I am still against any kind of censorship. It’s a subject in my life that has been very important.
• English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.

Bernardo Bertolucci (1941–2018) was an Italian filmmaker celebrated for his bold, visually stunning works that often explored complex themes of politics, sexuality, and identity. Born in Parma, Italy, Bertolucci was raised in a family deeply involved in the arts. His father, Attilio Bertolucci, was a poet and film critic, and his mother, Ninetta, was a teacher.

Bertolucci’s career began in the early 1960s with his work as an assistant director and screenwriter. He gained international recognition with his second feature film, “Before the Revolution” (1964), which showcased his talent for blending personal and political narratives. However, it was his epic masterpiece “The Conformist” (1970) that firmly established him as a leading figure in world cinema.

Throughout his career, Bertolucci continued to push artistic boundaries, creating visually sumptuous films such as “Last Tango in Paris” (1972) and “The Last Emperor” (1987), which earned him widespread acclaim and numerous awards, including Oscars for Best Director and Best Adapted Screenplay.

Despite controversy surrounding some of his works, Bertolucci’s influence on cinema remains profound, with his films admired for their poetic imagery, philosophical depth, and profound exploration of human nature. He passed away in 2018, leaving behind a rich legacy of cinematic brilliance.

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The top 10 most inspiring quotes by Isabelle Huppert

• Some roles are easier to choose, some roles are more difficult because they are more daring. Sometimes you have to dare.
• I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal.
• I always thought that’s the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.
• We all pretend to be very strong, and then in a fraction, you can just break down, at least for me.
• I don’t have time, because I still have so many films to see.
• If I seem detached or distant, it’s because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, ‘Well, at least this never happens to me.’ I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
• When you’re an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that’s not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.
• I think movies say a lot [about real life], even more than theater. It says a lot about the invisible, that movies are so fascinating. The camera lens is like a microscope that goes beyond the surface. It’s like you’re exploring a secret, so you explore the director’s secret, you explore the actor’s secret, and therefore you explore the universe’s secrets.
• The Greeks already understood that there was more interest in portraying an unusual character than a usual character – that is the purpose of films and theatre.
• Balzac, you know, our great Balzac, he wrote interesting things about how in literature you keep distance in order to express great feelings. You have to keep a distance – and it’s exactly the same with acting.

Isabelle Huppert, born on March 16, 1953, in Paris, France, is an internationally acclaimed actress known for her versatility and intense performances. She was raised in a theatrical environment; her mother was an English teacher and her father was a safe manufacturer who also acted in amateur theater productions. Huppert studied at the Conservatoire à Rayonnement Régional de Versailles and later at the Conservatoire d’Art Dramatique in Paris.

Her breakthrough came in the 1970s with roles in films like “La Dentellière” (The Lacemaker) and “Violette Nozière,” for which she won the Best Actress award at the Cannes Film Festival. Throughout her career, she has collaborated with renowned directors such as Claude Chabrol, Michael Haneke, and Paul Verhoeven, showcasing her exceptional range and depth as an actress.

Huppert’s performances often delve into complex and psychologically intense characters, earning her critical acclaim and numerous awards, including several César Awards in France and nominations for prestigious international awards like the Oscars and the Golden Globes. Known for her fearlessness in tackling challenging roles, Isabelle Huppert remains one of the most respected and influential actresses in cinema, with a career spanning over four decades.

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The top 10 most inspiring quotes by Richard Stallman

• Sharing knowledge is the most fundamental act of friendship. Because it is a way you can give something without loosing something.
• If the users don’t control the program, the program controls the users. With proprietary software, there is always some entity, the “owner” of the program, that controls the program and through it, exercises power over its users. A nonfree program is a yoke, an instrument of unjust power.
• I did write some code in Java once, but that was the island in Indonesia.
• Facebook is not your friend, it is a surveillance engine.
• Steve Jobs, the pioneer of the computer as a jail made cool, designed to sever fools from their freedom, has died.
• Free software is software that respects your freedom and the social solidarity of your community. So it’s free as in freedom.
• You can use any editor you want, but remember that vi vi vi is the text editor of the beast.
• Playfully doing something difficult, whether useful or not, that is hacking.
• The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors’ works have survived even in part.
• Proprietary software tends to have malicious features. The point is with a proprietary program, when the users dont have the source code, we can never tell. So you must consider every proprietary program as potential malware.

Richard Stallman, born on March 16, 1953, is an American computer scientist and software freedom activist. He is best known for launching the GNU Project in 1983 and initiating the free software movement. Stallman’s vision was to create a Unix-like operating system composed entirely of free software. In pursuit of this goal, he developed numerous essential components, including the GNU Compiler Collection (GCC) and the GNU Emacs text editor.

Stallman’s advocacy for software freedom led him to establish the Free Software Foundation (FSF) in 1985, which promotes the principles of free software and maintains the GNU General Public License (GPL), a widely used free software license. He has been a staunch critic of proprietary software and has campaigned against software patents and digital rights management (DRM).

Beyond his technical contributions, Stallman is renowned for his uncompromising stance on software freedom and ethical computing practices. He has often been characterized as eccentric due to his idiosyncratic lifestyle and adherence to principles such as refusing to use non-free software or proprietary formats.

Despite controversies surrounding his personal conduct and communication style, Stallman remains a prominent figure in the free software community, continuing to advocate for digital rights and the principles of software freedom.

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