Author: Nishad Howlader

The top 10 most inspiring quotes by Carl Bernstein

• You can’t serve the public good without the truth as a bottom line.
• The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism.
• Good journalism should challenge people, not just mindlessly amuse them.
• I think all good reporting is the same thing: the best attainable version of the truth.
• We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird, the stupid, and the coarse are becoming our cultural norm, even our cultural ideal.
• The reality is that the media are probably the most powerful of all our institutions today, and they, or rather we [journalists], too often are squandering our power and ignoring our obligations. The consequence of our abdication of responsibility is the ugly spectacle of idiotic culture!
• For the first time, the weird, the stupid, and the coarse are becoming our cultural norms, even our cultural ideals.
• Donald Trump is an American neo-fascist. The word “neo,” meaning “new,” has a lot to do with it, a new kind of fascist in our culture, dealing with an authoritarian demagogic point of view, nativist, anti-immigrant, racism, and bigotry that he appeals to.
• Increasingly, the picture of our society as rendered in our media is illusionary and delusionary: disfigured, unreal, out of touch with reality, disconnected from the true context of our lives. It is disfigured by celebrity, by celebrity worship, by gossip, by sensationalism, and by denial of our societies.
• The failures of the press have contributed immensely to the emergence of a talk-show nation, in which public discourse is reduced to ranting, raving, and posturing. We now have a mainstream press whose news agenda is increasingly influenced by this new world.
• The greatest felony in the news business today is to be behind, or to miss a big story. So speed and quantity substitute for thoroughness and quality, for accuracy and context.

Carl Bernstein is an American investigative journalist renowned for his role in uncovering the Watergate scandal alongside Bob Woodward, which ultimately led to the resignation of President Richard Nixon in 1974. Born on February 14, 1944, in Washington, D.C., Bernstein began his journalism career at The Washington Star before joining The Washington Post in 1972. His reporting on Watergate, particularly the revelations about Nixon’s involvement in the cover-up, earned him and Woodward the Pulitzer Prize for Public Service in 1973.

Beyond Watergate, Bernstein has had a distinguished career in journalism, writing for various publications, including Vanity Fair, Time, and The New Republic. He has authored several books, including “All the President’s Men,” co-written with Woodward, which chronicles their investigation into Watergate.

Bernstein continues to be an influential figure in American journalism, advocating for rigorous investigative reporting and accountability in government. He has received numerous awards for his contributions to journalism, including the National Magazine Award and the George Polk Award. As a respected commentator and analyst, Bernstein remains engaged in public discourse, offering insights into political affairs and the role of the press in a democratic society.

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The top 10 most inspiring quotes by Terry Gross

• Most people I know that have work that is very meaningful to them pay the price of having to work all the time.
• Often, real life is boring and problematic. I love the edited version of it.
• I’ve always been really curious about things and slightly confused by the world, and I think someone who feels that way is in a good position to be the one asking questions.
• It bothers me when people, say, you know, write for, you know, a web publication and get paid little or nothing, or, you know, expect to, like, read the best newspapers in the world and not pay a cent for it. Those newspapers need money in order to operate.
• If you are interested in ideas, radio is way more pure than television. You’re not distracted by somebody’s nose, hair, or posture. You can really see how someone thinks and penetrate into the essence of who that person is.
• I learned that I never really know the true story of my guests’ lives, that I have to content myself with knowing that when I’m interviewing somebody, I’m getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.
• Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn’t necessarily the fear of being ‘found out.’ Sometimes it is just the fear of being misunderstood.
• My parents were pretty open about a lot of things, especially my mom. And any kind of little crazy thing I was into, she was very supportive of. You know, whether it was BMX bike racing, being in the Boy Scouts, surfing, or anything else, she always seemed to sort of support it. And I think it’s because she was an immigrant, and that idea of sort of having her kids have access to their dreams and whatever they wanted to follow was very important to her.
• I am literally smaller than life. I am an extraordinary-looking person. I’ve seen people trying to hide their disappointment when they meet me, and I have to watch them get over it.
• The excitement for me lies not so much in interviewing the hard-to-get famous person, as in the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you’re realizing how great they are.
• I think the interview form works best on the radio. There are a lot of personality traits conveyed in a person’s voice, the rhythm of their speech, or how confident they sound.

Terry Gross, born on February 14, 1951, is an acclaimed American radio host best known for her work as the host and co-executive producer of NPR’s “Fresh Air,” a program featuring interviews with notable figures from various fields including literature, music, journalism, and the arts. Gross’s distinctive interviewing style, characterized by her insightful questions and empathetic approach, has earned her widespread praise and numerous awards, including the prestigious Peabody Award and a National Humanities Medal.

Raised in Brooklyn, New York, Gross developed an early interest in radio and journalism, eventually pursuing a career in broadcasting after graduating from the State University of New York at Buffalo. She began her career at public radio station WBFO in Buffalo before joining NPR in 1975.

Over the years, Gross has conducted thousands of interviews with a diverse range of guests, from world leaders to emerging artists, earning her a reputation as one of the most skilled interviewers in the industry. Her probing yet respectful approach has led to insightful conversations that illuminate the lives and work of her subjects, making “Fresh Air” a beloved and influential program enjoyed by millions of listeners worldwide.

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The top 10 most inspiring quotes by Robbie Williams

• I’ve deliberately tried to calm myself down because eventually I want to be a good role model to my kids.
• I know I’m going to die, so my revenge is living well.
• I’ve nothing against anyone following their dreams – but not if they’re crap.
• I am not as bad as people would suggest. Not as good as I would like to be.
• I am the only man who can say he’s been in Take That and at least two members of the Spice Girls.
• I’m a born entertainer. When I open the fridge door and the light goes on, I burst into song.
• I’m quite obviously not the world’s most handsome man—I’m the second world’s most handsome man!
• Hell is gone and heaven’s here,there’s nothing left for you to fear.
• I refuse to totally grow up. I’ve always been someone who says and does things that push politically correct boundaries.
• The entertainment industry, and my place in it, is a place where you burn brightly for as long as you can.

Robbie Williams is a British singer, songwriter, and entertainer who rose to fame as a member of the pop group Take That before establishing himself as a successful solo artist. Born on February 13, 1974, in Stoke-on-Trent, England, Williams showed early musical talent and began his career in the entertainment industry at a young age. In 1990, he joined Take That, one of the most successful boy bands of the 1990s, and gained widespread popularity with hits like “Back for Good” and “Never Forget.”

However, Williams left the group in 1995 to pursue a solo career, which proved to be immensely successful. He released his debut album, “Life through a Lens,” in 1997, which featured the hit single “Angels” and established him as a solo star. Throughout his solo career, Williams has continued to release chart-topping albums and singles, including “Rock DJ,” “Feel,” and “Millennium.”

Known for his charismatic stage presence and dynamic performances, Williams has become one of the best-selling music artists of all time, with numerous awards and accolades to his name. Beyond music, he has also ventured into acting and television presenting, further solidifying his status as a multi-talented entertainer.

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The top 10 most inspiring quotes by Peter Tork

• Pop music, disco music, and heavy metal music are about shutting out the tensions of life and putting them away.
• You should be a hero to yourself. And if you’re not… check it out.
• Pop music is aspirin, and the blues are vitamins.
• The blues bring you back into the fold. The blues isn’t about the blues; it’s about us having all had the blues and being all in this together.
• Where there is clarity, there is no choice. And where there is choice, there is misery. But then, why should I speak, since I know nothing?
• The most significant thing about the Monkees as a pop phenomenon is that we were the only TV show about young adults that did not feature a wiser, older person.
• The universe is permeated with the odor of turpentine!
• Only one of us would usually sing lead. Most of the time, it was Mickey or Dave. They thought it was perfectly a natural routine because Mickey and Dave saw themselves as TV actors.
• The Monkees was a straight sitcom; we used the same plots that were in other situation comedies at the time. So the music wasn’t threatening, and we weren’t threatening.
• I don’t know about friends, but during the time I spent with The Beatles, they were very courteous to me.

Peter Tork, born Peter Halsten Thorkelson on February 13, 1942, was an American musician and actor, best known as the keyboardist and bass guitarist for the iconic 1960s band, The Monkees. Born in Washington, D.C., Tork began his musical journey early, studying piano and eventually picking up various other instruments, including guitar, bass, and banjo.

In 1965, Tork joined The Monkees after answering a casting call for a new TV show about a fictional rock band. Despite initial skepticism about the band’s authenticity, The Monkees became a cultural phenomenon, producing hit songs such as “Daydream Believer” and “I’m a Believer.”

Following The Monkees’ disbandment in 1971, Tork pursued various musical endeavors, releasing solo albums, collaborating with other musicians, and occasionally reuniting with his bandmates for tours and projects. He also ventured into acting, appearing in television shows and films.

Throughout his life, Tork remained a beloved figure in the music industry, known for his warm personality, musical talent, and contributions to the cultural landscape of the 1960s. He passed away on February 21, 2019, leaving behind a legacy of timeless music and entertainment.

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The top 10 most inspiring quotes by Peter Hook

• I suppose in the end, it’s almost too easy to look back and say what you should have done or how you might have changed things. What’s harder—what’s much, much harder—is to accept what you actually did.
• There’s a very fine line between being artistic and being a dickhead – it’s like love and hate.
• Nobody is the same. If we were all the same, it would be bloody boring.
• It’s quite ironic I suppose, it’s that thing about being in a group when you all start out as friends and then invariably end up hating each other. So I just thought they needed telling really, in case they were labouring under the apprehension that they were still friends.
• The chemistry involved made everything Factory did quite special.
• I think that you have to bear in mind that music is about escape, and it’s not unreasonable to think the music business would be based around escapism.
• I think the most important thing about what musicians do is the music. You can be as big an arsehole as you want, but if you’re not making good music, you won’t get away with it.
• When digital recording came in about ’84, everything started to follow digital. Now, you’ve got the best recording media in the world, but it’s not very pleasing to the ear.
• I think people expect mud at festivals, I think you’d be asking for your money back if you didn’t get it.
• The scary thing is when I did my set in Texas everyone was excited. The show was great. I was done and the next DJ put something on vinyl and the difference! The quality!

Peter Hook is an influential English musician best known as the bassist and co-founder of the post-punk bands Joy Division and New Order. Born on February 13, 1956, in Salford, England, Hook’s distinctive basslines became emblematic of both bands’ sound, contributing significantly to their critical and commercial success.

Hook formed Joy Division in 1976 with Bernard Sumner, Ian Curtis, and Stephen Morris. The band’s dark, atmospheric music and Curtis’s haunting lyrics garnered a cult following, but tragedy struck with Curtis’s suicide in 1980, leading to the dissolution of Joy Division.

Following Curtis’s death, the remaining members formed New Order, incorporating more electronic and dance elements into their music. Hook’s bass remained a defining feature, shaping hits like “Blue Monday” and “Bizarre Love Triangle.”

Despite New Order’s success, internal tensions led to Hook’s departure from the band in 2007. He subsequently formed Peter Hook and The Light, performing Joy Division and New Order’s music.

In addition to his musical endeavors, Hook has authored several books, including “Unknown Pleasures: Inside Joy Division” and “Substance: Inside New Order,” offering insights into his experiences within both bands.

Peter Hook’s innovative basslines and contributions to the post-punk and electronic music scenes have solidified his legacy as a pivotal figure in alternative music.

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